La Liste de l’Association des groupes en arts visuels francophones propose des nouvelles de ses membres et compile les appels de dossiers en arts visuels, arts médiatiques, performance, art public, etc. Les appels proviennent du Québec, du Canada et d’ailleurs. N’hésitez pas à la faire circuler. Vous pouvez consulter La Liste sur Internet et vous y abonner gratuitement: liste.agavf.ca. Visitez l’AGAVF sur internet: www.agavf.ca

Nouvelles des membres de l’AGAVF

Chez le disquaire de Kevin Ei-ichi deForest à la Maison des artistes

Maison des artistes visuels (St-Boniface)
Kevin Ei-ichi deForest – Chez le disquaire
Du 28 janvier au 17 mars 2010
MDA Galerie communautaire
Photographies – Janessa Brunet
4 mars au 22 mars, 2010
219, boulevard Provencher à St-Boniface
www.maisondesartistes.mb.ca

Galerie Glendon (Toronto)
Jocelyn Philibert, Catherine Sylvain, Yvan Binet, Marcel Blouin – L’imprimé numérique en art contemporain
Du 2 au 31 mars 2010
2275 av. Bayview, Collège Glendon, York Hall, C-130, Toronto
www.glendon.yorku.ca/gallery

Galerie d’art Louise et Reuben-Cohen (Moncton)
Elisabeth Hubault – Voyager – Créer
Christian Michaud – Embarquement pour Cythère
du 3 au 28 mars 2010
Pavillon Clément-Cormier
Centre universitaire de Moncton
www.umoncton.ca/gaum

Galerie Voix Visuelle (Vanier)
Izabel Barsive et Jean Perron – Vidéo-minute et performance
13 mars – 20 avril 2010
81 avenue Beechwood à Vanier
www.voixvisuelle.ca

Galerie du Nouvel-Ontario (Sudbury)
normand fortin – sans recul
9 mars au 17 avril 2010
résidence 9 au 12 mars 2010
vernissage vendredi 12 mars à 17 h
exposition 12 mars au 17 avril
174, rue elgin, sudbury
www.gn-o.org

Galerie Sans Nom (Moncton)
Jon Claytor – Easy Evolution
acting up, acting out (faire une scène/se mettre en scène) avec les artistes Bear Witness, Kent Monkman, Gisele Gordon, Dana Claxton, Ariel Smith et Thirza Cuthand
programme préparé par Steven Loft, commissaire
du 19 février au 19 mars 2010
140, rue Botsford, rez-de-chaussée du Centre culturel Aberdeen
www.galeriesansnom.org

1. appels en français du Canada

La Centrale Galerie Powerhouse – Montréal – 15 mars 2010
Jeunesse francophone en action – Québec
Bourses ArtsNB – 1er avril 2010
La Galerie du Centre culturel franco-manitobain – Winnipeg – 12 mars 2010
Folie/Culture – Québec – 31 mars 2010
Galerie Sans Nom – Moncton – 15 avril 2010
L’Imagier – Gatineau – 1er avril 2010

2. appels en anglais du Canada

RBC painting competition – 3 mai 2010
Toronto Sculpture Garden – 15 mai 2010
Kitchener Public Library – 30 mars 2010
RCMP Building Extension – Surrey – 18 mars 2010
Already Art Online Exhibition – en cours
Spark Box Studio – Prince Edward County – en cours
Gallery Connexion – Fredericton – 31 mars 2010
Social propaganda mixing machine – Colombie-Britannique – 31 mars 2010
Front Magazine -Vancouver – 15 avril 2010
Harpo Foundation – 15 avril 2010
Video Pool Media Arts Centre – Winnipeg – 22 mars 2010
Twitter/Art+Social Media – Vancouver – 5 mars 2010
Gallery 1313 – Toronto – 25 mars 2010

3. appels d’ailleurs

The 2nd Roma Pavilion +Call the Witness – 15 mars 2010
Concours Francophone de Musique Rap – 31 mars 2010
Mois de la photo – Paris – 26 avril 2010
Anatomy in the Gallery – Chicago – 16 avril 2010
Hasselblad Masters Awards – 31 décembre 2010
Wiels Programme de Résidences d’artistes – 31 mai 2010
INT’L CERAMICS COMPETITION -L’Alcora – 30 avril 2010
F R A G I L E – global performance chain journey – 31 juillet 2010
Fundada Artists Film Festival 2010 – Halifax Angleterre – 31 mai 2010
Polymer Artist in Residency Program – Estonia – en cours
Wirksworth Festival 2010 – 22 mars 2010
Aesthetica Short Film Competition – York – 30 avril 2010
TAKT KUNSTPROJEKTRAUM – en cours
Site – Santa Fe – 15 avril 2010

4. divers

lettre ouverte à Marc Mayer, directeur du Musée des Beaux-Arts du Canada

1. appels en français du Canada

APPEL DE DOSSIERS

LA CENTRALE GALERIE POWERHOUSE RAPPELLE SES DATES POUR L’APPEL DE DOSSIERS
DATES LIMITES: 15 MARS et 15 OCTOBRE de chaque année

Fondée et issue des mouvements féministes en 1973, La Centrale galerie Powerhouse est un des plus anciens centres d’artistes
autogérés du Québec. Le centre s’est donné pour mandat de développer les pratiques artistiques féministes et de soutenir la
visibilité d’artistes et d’initiatives moins ou peu représenté-es auprès des institutions culturelles établies. Le centre a pour objectif
d’offrir une plateforme pour les langages en art actuel porté par les discours féministes, les théories du genre, la diversité
culturelle et la transdisciplinarité. Cela implique l’importance du développement des réseaux d’échanges professionnels à
l’échelle locale, nationale et internationale. Le centre encourage les artistes à toutes les étapes de leur carrière afin de permettre
les échanges intergénérationnels. La programmation et les événements organisés par la galerie sont le reflet des intérêts et
engagements des membres du centre.

Pour soumettre votre dossier veuillez nous envoyer :

• Un curriculum vitæ
•Un texte de présentation incluant une description du projet, la démarche artistique et une description des besoins
techniques requis pour la réalisation du projet (500 mots maximum)
•Tout document visuel ou sonore nécessaire à la compréhension du projet (CD, DVD ou CD-ROM compatible avec Mac
OSX) accompagné d’une liste descriptive.

• Documentation visuelle, 10 à 15 images en format numérique
• Documentation vidéo, VHS ou DVD NTSC seulement (10 min. max )
• Bande sonore (10 min. max )
• Documentation visuelle ou projet numérique, site Internet, portfolio interactif, bande sonore, film ou vidéo
numérique, ou tout autre support numérique

• Une enveloppe de retour pré-affranchie (tout dossier sans enveloppe pré-affranchie sera conservé trois mois après la
réponse du comité)

Veuillez envoyer votre dossier à l’attention du :

Comité de programmation
LA CENTRALE GALERIE POWERHOUSE
4296 Boulevard Saint-Laurent
Montréal, Québec
H2W 1Z3, Canada

La sélection des propositions est effectuée par le comité de programmation. Les réponses seront envoyées par la poste ou par
courriel dans un délai de 3 mois après la date de tombée.

Ouvert de midi à : mercredi – 18hres, jeudi & vendredi– 21hres, samedi & dimanche – 17hres
www.lacentrale.org / galerie [arobas] lacentrale [point] org / 514.871.0268

•••••

Jeunesse francophone en action
La promotion du français par les jeunes pour les jeunes !

Description du concours

Le concours «Jeunesse francophone en action» vise la promotion du français par les jeunes pour les jeunes. Le Centre de la francophonie des Amériques vous invite à célébrer la richesse et la diversité de la langue française.

Que feriez-vous pour stimuler l’utilisation du français auprès des jeunes de votre milieu?

Répondez à cette question en réalisant un clip vidéo présentant un projet stimulant pour votre communauté, votre établissement scolaire ou votre milieu culturel.

Dix bourses de 3000 $ seront attribuées aux meilleurs projets. Ces bourses sont offertes par le Centre de la francophonie des Amériques afin de vous permettre de réaliser votre projet.

Jeunesse francophone en action 2010 s’adresse à des candidats imaginatifs et ingénieux! Préparez vos caméras, téléphones cellulaire ou web cam et présentez-nous des projets à la fois réalistes et originaux pouvant encourager les jeunes à utiliser le français dans leur quotidien.
http://www.francophoniedesameriques.com/JFA2010

•••••

ArtsNB

Le 1er avril 2010 est la date limite pour présenter une demande d’aide financière dans le cadre des programmes suivants : Création, Documentation, Résidences de création Nouveau-Brunswick/Québec, et, Résidences de création Nouveau-Brunswick/Manitoba.
Le programme de subvention à la création offre une aide aux artistes professionnels en début de carrière, en mi-carrière et seniors du Nouveau-Brunswick pour la recherche et l’exécution de projets originaux dans les arts. Les subventions sont conçues pour permettre aux artistes de consacrer une plus grande partie de leur temps à la recherche et à la création artistique.
Le programme de documentation offre une aide aux artistes et aux professionnels des arts du Nouveau-Brunswick pour la recherche, le développement et la création de matériel original documentant l’activité, la production ou l’histoire artistique du Nouveau-Brunswick pour des fins d’archivage. La priorité sera accordée aux projets traitant de sujets néo-brunswickois.
Les programmes de résidences de création Nouveau-Brunswick/Québec et Nouveau-Brunswick/Manitoba sont deux ententes qui prévoient la création d’un programme annuel d’échanges d’artistes et d’écrivains professionnels, permettant aux candidats sélectionnés de réaliser des résidences de création et de ressourcement dans la province participante. Disposant d’une totale autonomie, les créateurs participant à ces programmes définissent eux-mêmes les objectifs de leur séjour et élaborent les paramètres et les conditions de sa réalisation en collaboration avec un organisme artistique ou communautaire situé sur le territoire où aura lieu la résidence.

•••••

La Galerie du Centre culturel franco-manitobain

Appel aux artistes en arts visuel

Le Centre culturel franco-manitobain vous invite à soumettre une proposition
d’exposition en arts visuels pour la période de programmation allant de janvier 2011 à juillet 2012.

À noter : L’utilisation du masculin à pour but d’alléger le texte et désigne à la fois les hommes et les femmes sans discrimination.

Le Centre culturel franco-manitobain abrite une galerie d’art depuis sa construction en 1974. Celle-ci occupe 1 772 pieds carrés au rez-de-chaussée de l’édifice, au cœur du lieu public. Au cours des années, la Galerie du CCFM a présenté plusieurs expositions importantes pour initier la communauté francophone du Manitoba à une culture visuelle. Le Centre culturel franco-manitobain est présentement à la recherche de soumissions pour des expositions en arts visuels, pour la période de programmation allant de janvier 2011 à juillet 2012. Tout artiste professionnel ayant terminé sa formation de base, ayant pratiqué son art au moins un an depuis la fin de ses études, et ayant à son actif un corps d’œuvres pour exposition est invité à remettre sa soumission pour une exposition dans la Galerie.

Les soumissions devront inclure:

* une lettre d’intention (indiquez clairement le nom du projet proposé et son contexte de présentation);
* une description détaillée du projet;
* un résumé de la philosophie sous-jacente à votre œuvre;
* un curriculum vitae ou une biographie à jour, comprenant une liste des expositions et l’expérience pertinente;
* 10 à 20 diapositives ou photographies numériques sur CD d’œuvres récentes;
* une liste détaillée du matériel d’appui;
* les besoins techniques du projet proposé;
* une enveloppe affranchie pour le retour des documents (si désiré);
* un dossier de presse (facultatif).

Processus
Les artistes professionnels seront sélectionnés par un jury selon le mérite artistique, tout en respectant le mandat du CCFM, qui est de promouvoir et de parrainer à l’intention de l’ensemble de la population du Manitoba des activités culturelles et artistiques se déroulant en français.
Le CCFM assumera la responsabilité des coûts de base pour la publicité et pour les vernissages d’expositions. Les œuvres devront être encadrées/présentées de façon professionnelle.

Conditions
Toutes les soumissions seront remises au jury. Si votre soumission est acceptée, une demande de subvention sera envoyée au Conseil des arts du Manitoba. La présentation de l’exposition est sujette à l’octroi des fonds nécessaires. La Galerie du Centre culturel franco-manitobain respecte les cachets d’artistes recommandés par CARFAC.

Date d’échéance : Le vendredi 12 mars 2010
S’il vous plaît faire parvenir vos soumissions et adresser toutes questions à :

Hélène Molin-Gautron, coordonnatrice de la programmation
Centre culturel franco-manitobain
340, boulevard Provencher, Saint-Boniface (MB) R2H 0G7
Téléphone : (204) 233-8972 poste 434 Télécopieur : (204) 233-3324
Courriel : programmation [arobas] ccfm [point] mb [point] ca

•••••

APPEL DE PROJETS
Sortez vos morts

Folie/Culture, organisme qui suscite la réflexion sur des questions de santé mentale en empruntant des pistes de recherche inusitées, vous invite à repousser les limites de l’art et à soumettre vos projets les plus fous pour participer à une soirée cabaret exceptionnelle.

Vous êtes artiste professionnel ou un collectif d’artistes et vous avez des idées surprenantes, indomptables, extravagantes ? Ça pourrait nous séduire ! Par son mandat ouvert, Folie/Culture favorise la pluridisciplinarité mais est également sensible à toutes les pratiques artistiques. Nous aimons dire que nous sommes non-disciplinaires.

La proposition doit aborder la thématique Sortez vos morts. Que l’on parle de ces morts intérieures, celles qui nous habitent et qui nous étouffent complètement, ou de ces morts ex-corpus, néanmoins gênantes et que l’on aimerait bien oublier, une réflexion s’impose. S’interroger sur nous-même, sur nos cadavres sédimentés, nos cafards puants, nos douloureuses manies, c’est une invitation à la fois individuelle et collective à l’autocritique, à la franchise, à l’expiation, au nettoyage émotif; le champ d’investigation privilégié de Folie/Culture.

Pour participer, vous devez envisager une saynète — musique, performance, magie, cirque, vaudou, théâtre — qui ne dépasse pas 10 minutes.
La sélection des projets se fera en avril 2010, et ils seront présentés fin octobre, dans la ville de Québec. Folie/Culture assurera le bouclage financier pour les projets ayant été retenus. Notez que nous n’avons pas de galerie ni d’équipement de production ou de diffusion, ce qui nous oblige à travailler en étroites collaborations et à réinventer les lieux de diffusion.

Votre dossier doit contenir : un curriculum vitæ, une courte bio, une description de votre projet, votre démarche artistique, un CD ou DVD d’œuvres récentes (maximum 10). La date limite de réception des projets est le 31 mars 2010.

Faites parvenir vos projets aux soins de :
Comité de programmation
Folie/Culture
281, rue De Saint-Vallier Est
Québec (Québec) G1K 3P5

Pour informations : 418 649-0999 / www.folieculture.org

•••••

Galerie Sans Nom
Appel de dossiers
Date limite : 15 avril 2010
La Galerie Sans Nom sollicite des propositions d’artistes, de collectifs ou de
commissaires pour la programmation 2010/2011.
Les dossiers devront comprendre:
u une lettre d’intention (indiquez clairement le nom du projet proposé et son
contexte de présentation)
u une description détaillée du projet
u les besoins techniques du projet proposé
u un curriculum vitae ou une biographie
u de dix à quinze exemples de travaux récents en diapositives, sur cd, dvd,
cassette audio ou vidéo
u une liste détaillée du matériel d’appui
u une enveloppe de retour pré-affranchie
u un dossier de presse (facultatif)
Galerie Sans Nom
Centre culturel Aberdeen
140, rue Botsford, local 12B
Moncton, N.-B. E1C 4X5
(506) 854-5381
info [arobas] galeriesansnom [point] org
www.galeriesansnom.org
Galerie Sans Nom
Remise / Storage
Remise / Storage
8,08m (318”)
5,72 m
(225”)
7,09m (280”)
plafond: 3,95m (156”)
1,69 m
(77”)
1 m
(39”)
La Galerie Sans Nom est un centre d’artistes voué à la présentation des arts visuels et multidisciplinaires canadiens.
Depuis 1977, elle appuie les initiatives d’artistes, favorisant l’expérimentation et l’innovation. Sa programmation
tient compte des tendances de l’art actuel et reflète les préoccupations et les réalités contemporaines, tout
en étant pertinente pour son milieu et sa communauté d’artistes. La GSN étend ses activités à une variété de
pratiques et de disciplines afin de répondre aux besoins changeant d’une communauté diverse dans un milieu
urbain en croissance.
La Galerie Sans Nom est appuyée par ses membres, le Conseil des Arts du Canada et le Ministère du Mieux-être, de la Culture et du Sport du Nouveau-Brunswick
Galerie Sans Nom is supported by its members, the Canada Council for the Arts and the Department of Wellness, Culture and Sports of New Brunswick

•••••

Le Centre d’exposition L’Imagier – APPEL DE DOSSIERS 2011
Date limite : 1er avril 2010

Le Centre d’exposition L’Imagier invite les artistes qui désirent exposer dans le cadre de la programmation annuelle 2011 à faire parvenir leur dossier avant le 1er avril 2010. La programmation régulière débute en janvier et se termine en décembre.

Cette année, une attention particulière sera portée à la diversité des pratiques artistiques. Les démarches intégrant les nouveaux médias sont les bienvenues.

L’Imagier met à la disposition des artistes deux salles à l’architecture unique. Le Centre convie les artistes à soumettre un projet d’exposition pouvant occuper une des deux salles ou les deux. Les propositions d’expositions de groupe réunissant deux ou trois artistes sont également acceptées.

Les dossiers reçus seront soumis à un jury de pairs.

Documents requis :
Votre curriculum vitae
10 images d’œuvres récentes sur CD ou DVD (format jpeg) + courtes descriptions
Démarche artistique
Proposition de projet
Dossier de presse (si disponible)
Une enveloppe de retour préaffranchies

Date limite de réception : 1er avril 2010

Adresse pour faire parvenir votre dossier

Centre d’exposition L’Imagier
9, rue Front
Gatineau (Québec) J9H 4W8

Renseignements
Tél. : 819-684-1445
Courriel : info [arobas] limagier [point] qc [point] ca
Site Internet : www.limagier.qc.ca

2. appels en anglais du Canada

CALL FOR ENTRIES: ANNUAL RBC CANADIAN PAINTING COMPETITION

https://rbcpaintingcompetition.cment.net/secure/splash.aspx

DEADLINE FOR SUBMISSIONS: MAY 3, 2010
Eligibility: Must be living & working in Canada, must be in early stages (first 5 years) of professional careers

Official Website for Submissions

Established in 1999, the RBC Canadian Painting Competition, with the support of the Canadian Art Foundation, is a unique initiative to help nurture and support promising new artists in the early stages of their careers; a time when they need both recognition and financial support.

A regional jury panel of distinguished members of the arts community, will select five paintings from their regions as follows: Eastern (Quebec, Nova Scotia, New Brunswick, PEI, Newfoundland and Labrador), Central (Ontario) and Western Canada (Manitoba, Saskatchewan, Alberta, British Columbia, Yukon, Northwest Territories, Nunavut). The three jury panels will then select one national winner and two honourable mentions from the 15 semi-finalists. The national winner will receive $25,000 and the two honourable mentions will each receive $15,000.

The 2010 RBC Canadian Painting Competition “call for submissions” is now open. The 15 semi-finalists will be announced June 2010 and the winners October 2010.

•••••

CALL FOR PROPOSALS
TORONTO SCULPTURE GARDEN
115 King Street East, Toronto Canada
Deadline: Submissions received by May 15, 2010

The Toronto Sculpture Garden has been a leader in Canada in the commissioning of contemporary sculpture since it opened in 1981. Located in an urban park in the downtown core, it serves as a testing ground for artists to explore public space and to address issues of urban context, materials and scale.

BACKGROUND:

The TSG is a non-collecting institution that is unique in its partnership between the City of Toronto, which owns and operates the site as a city park, and the Louis L. Odette Family, benefactors who created the non-profit L.L.O. Sculpture Garden Foundation which funds and administers the exhibitions. Exhibitions are selected by an Art Advisory Board working with the director, Rina Greer.

Newly commissioned work becomes property of the artist and may be offered for sale after the conclusion of the exhibition.

PROPOSALS:

The TSG’s Art Advisory Board meets three times a year to review specific proposals. Preference is given to new work that responds to the site; only in exceptional cases will existing work be considered. We are currently looking for exhibitions for 2011 and beyond.

Proposals must be received by the deadlines each year on January 15, May 15 and September 15.

Proposals require:

* Drawing(s) showing dimensions and materials and the location of the work on the site.
* Brief statement of Theme
* Budget showing critical costs including materials, installation/removal and transportation
* Annotated images sent as photographs or colour copies; jpegs or pdfs (on a CD) or DVD
* C.V.

For complete information, including fee structure and site map, visit: www.torontosculpturegarden.com

•••••

Call for Expressions of Interest
Kitchener Public Library (Central Library)
Kitchener, Ontario, Canada
Budget: $125,000 (CDN)
Deadline: March 30, 2010 at 5 p.m.

Artists/artist teams are invited to submit professional qualifications
and a letter of interest as a first stage in the two-stage Kitchener
Public Library Public Art Competition.

Built in 1962, the Kitchener Public Library connects the community to a
world of imagination, information and discovery, though it no longer
adequately meets the needs of Kitchener’s approximately 215,000
residents. The renovation project, scheduled to begin in the fall of
2010, with an anticipated completion date of January 2013, will improve
this service to the community. Additional information about the project
is available at http://www.kpl.org/central/.

The identified location for the public art installation is the proposed
two-story atrium just inside the front entrance at Queen Street. The
atrium features abundant natural light coming from both the glazed
pop-up roof with continuous glazing and from windows located above the
Queen Street entrance. The proposed floor finish is a low luster stone.
The railings surrounding the atrium at the upper floor will all be clear
glass. The artist may consider suspending art work from the roof or
truss, and/or fastening it to the guard rail. Given the nature of the
library environment, works powered by or incorporating motors are not
acceptable.

NOTE: This competition is open to professional artists/artist teams with
experience in creating site responsive permanently installed public art
projects.

More information:

* Download the PDF by clicking:
http://www.kitchener.ca/pdf/kpl_public_art_project_eoi.pdf

* Inquiries may be made to:
Cheryl York, Arts/Culture Co-ordinator
e: cheryl [point] york [arobas] kitchener [point] ca
p: 519 741-3400 ext 3381

•••••

Call for Submissions
RCMP Building Extension
City Of Surrey, BC Canada
Deadline: March 18,2010
Budget: $97,500
The RCMP building and its new extension are located in the
Surrey City Hall precinct. Expressions of interest are sought for an
artist or artist team for a significant interior public art work located
in a two storey glass-enclosed stairwell that is visible both day and
night. Artists are invited to respond to theme words provided by the
building users: Dedication and Tradition.
For more details view the City of Surrey’s Artist Calls
published online at:

http://www.surrey.ca/Living+in+Surrey/Arts/Public+and+Community+Art/Arti
st+Calls.htm
For questions about the Artist Call contact by email:
vmcgregor [arobas] surrey [point] ca.

•••••

Already Art Online Exhibition

Already Art is a found art resource. We have an ongoing call for
submissions, and themed calls for submissions are posted periodically.
If you have found an artful thing, place or situation that you’d like
others to be able to find too, please let us know about it.

Already Art is currently soliciting submissions for a show of Bulging Poles.

If you have seen Bulgding Poles in your city, please participate!

Each submission can include:

-a brief description of your encounter with the bulging poles

-1-3 images
-the location of the poles
-any other instructions on how to find and/or experience the poles
-the moniker under which you’d like to be acknowledged

You can email the above to: alreadyart [arobas] gmail [point] com
You can also visit us at:

•••••

Spark Box Studio is a new art studio accepting residency applications.

Spark Box Studio, an art studio, print shop and artists’ residency that offers unique opportunities
to emerging and professional artists, writers, and students, has just opened up in Prince Edward
County,
Ontario.

About Us:
Spark Box Studio provides space for artists to live, research, investigate and experiment in
a focused environment. We aim to encourage discovery and the cultivation of new ideas, provide
career-building opportunities and resources for artists at all stages, and promote engagement
with the local community through the arts.

Artist Residency Program:
Spark Box Studio’s Artist Residency Program provides live/work space to accommodate both
emerging and professional printmakers, photographers, painters, illustrators and writers, as well
as those currently undertaking studies in fine art. Artists-in-residence have access to our
professional studio and resource library. The Residency Program affords artists the space,
time and resources to support the advancement of their careers and to strengthen their practice.
Artists-in-residence stay in a charming Victorian house located by the historic Picton Harbour.
Applications are taken on an on-going bases but space is quickly filling up for 2010.

http:// www.sparkboxstudio.com

•••••

GALLERY CONNEXION CALL FOR SUBMISSIONS FOR 2011 PROGRAMMING
Gallery Connexion invites proposals from artists and curators for upcoming
exhibitions in the year 2011. Deadline for Proposals is March 31, 2010.
Exhibition Proposals should include the following:

* 10 to 20 images of proposed or recent work
* Curriculum vitae
* Artist statement
* An exhibition proposal including space and equipment requirements and
description of proposed work
* Publications, reviews, or other support material (optional)
* A stamped self addressed envelope (materials will not be returned if
sufficient postage is not included)

Proposals can be mailed to:
Gallery Connexion
PO Box 696
Fredericton, New Brunswick
E3B 5B4
Canada

Disclaimer: Gallery Connexion is not responsible for lost items. Also, if
sufficient postage is not included on a self-addressed stamped envelope,
the materials will not be returned.

Gallery Connexion welcomes submissions from artists of any discipline
regardless of educational background, gender, race, or sexual orientation.
The gallery also welcomes proposals from independent curators. Gallery
Connexion does not show undergraduate student work.
Gallery Connexion is committed to paying artist’s fees as outlined in the
CARFAC fee schedule. The current rates are as follows:

* $1500 for a solo show
* $235 for a Speaker’s/Workshop Fee under 4 hours
* $3500 for a residency fee
* Up to $200 for return shipping

Gallery Connexion annually programs 4-5 exhibitions, artist residencies,
film and video screenings, performance, spoken word, musical shows, poetry
and literary readings, and membership exhibitions and activities. Proposals
may be sent anytime. The committee meets once a year to review submissions.

Opening February 2010 at the Chestnut Complex, 440 York Street

Mail: PO Box 696, Fredericton NB, E3B 5B4
P: (506) 454-1433 E: connex [arobas] nbnet [point] nb [point] ca
Office Hours: Tues – Fri 10am – 4pm

www.galleryconnexion.ca

•••••

SOCIAL PROPAGANDA MIXING MACHINE (VIVO 2010: Safe Assembly)

1. 2010 RIGHT TO THE CITY VIDEO PROJECT

Cities, through their selective processes of urbanization, constantly
reinvent concepts and positions which attack the very idea of ‘the right to
the city.’

While some would say that a ‘right to the city’ is merely the assertion of
human rights in the urban domain, it is also a slogan, a repositioning of
human rights as an agenda, a clarion call to reorient who participates in
decision-making.

>From Henri Lefebvre’s use of the term to its contemporary proliferation as
a civil society challenge to neo-liberal urban policymaking, the ‘right to
the city’ is not just about ensuring access to the resources of the city,
but also about democratizing the opportunities to remake the city.

As with other global hallmark events, the 2010 Olympics tend to expedite
development paths in a city and quicken the urbanization processes which
are already underway.

The Social Propaganda Mixing Machine is inviting video artists, social
activists to produce artistic propaganda from their own unique vantage
point by considering ‘the right to the city’ as a conceptual point of
departure – and a means to consider Vancouver as a subject in this specific
moment.

A few things to consider:

-it has to be a film or video work
-it has to be less than 10 minutes
-it has to be made by March 31st, 2010
-there is limited gear available at VIVO, so people should have access to
their own equipment.
-we have no funding to cover costs or pay.
-you will retain full rights over your work
-the work will be screened later this year at VIVO.

contact – Am Johal – 778-895-5640 – am_johal [arobas] yahoo [point] ca

2. BC TOURISM PROPAGANDA PROJECT

BC Tourism is promoted with the motto, “The Best Place on Earth.” As with
most international mega-events, governments utilize the exposure to promote
their regions for tourism and economic development either through
advertising, the use of pavillions or other marketing intervetions. The
representation of the City and the province will be take on particular,
distorted forms in order to maximize the economic impacts of tourism.

Video artists and filmmakers are invited to participate in making
advertisements about BC with the “The Best Place on Earth” motto that
investigate some of the historic and socio-political questions that have
been contested.

A few considerations:

-The work needs to be under 3 minutes long
-The work needs to be completed by March 31st, 2010
-The work will be shown at VIVO later this year
-Though there is access to some equipment at VIVO, participants should try
to have access to their own equipment

contact – Am Johal – 778-895-5640 – am_johal [arobas] yahoo [point] ca

3. NOISE POLLUTION PLAYGROUND

Maybe you love the 2010 spectacle. Maybe you think it’s a waste of money
and it increases the costs of housing and violates people rights. Maybe
you just don’t give a fuck.

Maybe your perspective is complicated.

We want your experimental noise/sound based responses to all this hoo-haw.

-Keep it under 5 minutes
-Have it submitted to VIVO by March 31st, 2010
-work will be exhibited at VIVO later this year
-contact – am_johal [arobas] yahoo [point] ca – 778-895-5640

•••••

Call for submissions and proposals // Front Magazine // Translation issue,
Summer 2010
Deadline: April 15, 2010

Front Magazine is looking for writing, visual art, design and collaboration
that addresses the idea of what is lost, and what might be gained, in
translation.

We are interested in works that address literal linguistic translation, the
movement of cultural objects from one context to another, conversion from
one media to another, transliteration and transmogrification.

For written works (both artistic and journalistic), the suggested word
count is “short” (most pieces will be 500-700 words). Assignments are
available (please send a sample of your writing). Submissions can be
emailed to frontmagazine [arobas] front [point] bc [point] ca.

For full submission guidelines, please see
http://front.bc.ca/frontmagazine/submissions

Front Magazine is published in Vancouver by the Western Front Society and
distributed liberally and for free throughout the lower mainland four times
a year.

Front
303 E 8th Ave
Vancouver, BC V5T 1S1
604-876-9343
www.front.bc.ca/frontmagazine

•••••

Harpo Foundation
Call for Proposals
Deadline: April 15, 2010

Home

Mission
Harpo Foundation was established in 2006 to support artists who are under
recognized by the field. This applies to all artists whether emerging or
further along in their careers. We view the definitions of art and artist
to be open-ended and expansive.

2010 Funding Focus
The relationship between art and site in an era defined by digital
technologies is the focus for Harpo Foundation’s 2010 funding cycle. Of
specific interest is the dialectic between the non-locality of the digital
world and the existential physicality of our everyday environment. For
example, our sense of place is being drastically altered by web space,
which brings geographically distant locations together to form a new kind
of locality, yet what’s small, local, personal, political and natural
informs our vision for a sustainable future; the search for place-bound
identity persists.

When site-specific art emerged in the late 1960’s, the physical and
experiential qualities of a fixed and permanent location inspired the art.
Since then, ‘site’ has been redefined endlessly, turning the tangible,
grounded concept into something fluid and transient. Interestingly, in our
everyday lives, the local is often seen as losing ground to global dynamics
like hypermobility and deterritorialization, evoking the question, has
place has become an ephemeral, fleeting image?

The Foundation is interested in how artists are reclaiming the significance
of the local while simultaneously placing themselves and their creative
lives within a global context. We are interested in supporting projects
that are grounded in the real world, that will draw upon local phenomena,
activate social relationships to inspire a community, trigger memory to
recall a place’s unique history, to name just a few of the ways we see
artists addressing site today. We are also interested in supporting
projects that explore the idea of place using technologies that challenge
our traditional notions of what qualifies as locality.

In pursuing this direction for one year, we hope to shed light on how
artists today are locating or siting their work in a dematerializing world
and the Foundation will prioritize projects that expand, explore, critique,
reconcile, and challenge this 21st century phenomenon.

Deadline
The deadline for proposals is April 15, 2010.

More information
Visit our website at http://www.harpofoundation.org for more information
about the Foundation’s past grant recipients, proposal guidelines, and process.

•••••

Video Pool Media Arts Centre
2010/2011 Open Call for Submissions

Deadline: Monday, March 22, 2010 at 5:00PM.

Video Pool invites submissions for the 2010/11 programming season. We are striving to exhibit projects that challenge the boundaries of media art. This can include:

• New media
• Experimental electronics/hacking of electronics
• Installation (with media components)
• Sound art
• Single-channel video that would be appropriate as an installed exhibition
• Curatorial packages (with media components)
• Web 2.0 technology
• Mobile devices
• Open source technology

Video Pool is particularly interested in projects that intervene in public space or otherwise make use of non-traditional exhibition settings, including the online world.

Submission Requirements
(Please note that due to funding requirements, primary consideration will be given to Canadian citizens.)

All Submissions Must Include:

1. Artist/curator CV including current contact information (mailing address, telephone number, and e-mail address)

2. A short description of the proposed project or video(s), including an outline of the critical and/or curatorial objectives of the work submitted. TWO PAGE MAXIMUM

3. Names of all participating artists.

4. Titles of all proposed projects/videos, as well as year of completion and city of origin.

5. Exhibition history of each project, including a description of contexts within which the work will be presented in the coming year.
A statement indicating if the artist(s)/curator(s) plan to be in attendance with the work and, if so, in what capacity they would expect to participate in the screening/exhibition. Proposals for workshops and other development activities are especially encouraged.

6. Support material: Please do not send originals as Video Pool will not accept responsibility for the loss of, or damage to, any support material. Still images should be submitted on CD (maximum 20 images, .jpg preferred, please do not exceed 72 dpi or a resolution of 1024 X 768 pixels)  Video support material should be NTSC and submitted on VHS, DVD, or Mini DV. Audio support material should be submitted on CD.

7. Complete list of all audio, video, and images submitted.

8. Please include a SASE if you would like your support material returned.

Video Pool is committed to reflecting cultural diversity in its programming and thereby encourages applications from artists and curators from underrepresented communities.

Video Pool encourages the submissions of projects that are already complete or near completion.

Exhibition fees are paid in accordance with the IMAA/CARFAC rate scale (whichever is appropriate).

Please Direct Enquiries to:
Przemek Pyszczek, Programming Coordinator
vpprogramming [arobas] videopool [point] org

Please Send Submissions to:
2010/2011 Call for Submissions
c/o Video Pool Media Arts Centre
300 – 100 Arthur St.
Winnipeg, MB R3B 1H3
Canada

All submissions must be received by the deadline: Monday, March 22, 2010 at 5:00PM. No late submissions will be accepted.

•••••

Call for Submissions

Twitter/Art+Social Media
Diane Farris Gallery, Vancouver BC
Submission period: February 10 – March 5, 2010
Exhibition: April 1 – May 1, 2010
No submission fee

Twitter/Art+Social Media is an open-call project addressing works by artists who use social media for the inspiration, production or presentation of their artwork. The exhibit includes a gallery exhibition and events as well as online components. Artists must be active users of social media and be interested in the theme of the show.

Social media may include websites, blogging, instant messenger, rss feeds, social bookmarking, Facebook, Blogger, Flickr, MySpace, deviantART, LinkedIn, Twitter, YouTube, Skype and podcasts. Artwork may include painting, drawing, photography, printmaking and three-dimensional work as well as computer-based art, video and performance formats.

All contemporary artists who are able to deliver their work to the gallery are eligible to apply. We regret we cannot accept shipped works of any kind. You must be an independent artist and not represented by a gallery or any other agent that will prohibit your submission to this show.

Technical Guidelines:
Size of each work: No larger than 22 x 22 x 22 inches (total size of the piece, including frame when applicable)
Price of each work: up to $1,000 CDN

Please refer to this link for full information and submission form: http://www.dianefarrisgallery.com/blog
For further assistance and information please email facebook [arobas] dianefarrisgallery [point] com

•••••

Gallery 1313 | Call for submissions by emerging artists | MAR 25
————————————————————————
Call for Submissions – Intersections
Gallery 1313 Window Box

Deadline: March 25, 2010

Curators Simone Rojas-Pick and Jessica Nagy are currently
accepting creative proposals from emerging artists for their
exhibition series, Intersections, taking place in Gallery 1313’s
Window Box. From May 2010 – April 2011, the Window Box will
be devoted to the Launch Pad Project, which will feature four
different exhibition series based on the themes of motion and
flux.

Intersections, the first instalment in the Launch Pad Project, is
centred around the concept of the “mash-up”; where two or more
voices/mediums/styles are combined to create a single work.
The focus of these exhibitions will be on the changeability of
environment and the limits of creation. We extend the
challenge to artists to forget accepted “rules” and work in a
fashion that includes an understanding of flexibility in relation
to the immediate environment. This approach should bring
about new and exciting projects that push beyond the restraints
of the traditional gallery milieu and the confines of set artistic
disciplines.

Artists are welcome to submit work in any media, including but
not limited to: drawing, painting, photography, sculpture,
installation, participatory, performance, video, and new media.
Intersections encourages artists to push the boundaries of their
comfort zones and take the opportunity to experiment with new
mediums or styles. Artists applying collaboratively with
significantly different practices will be given special
consideration. Artists applying independently may be matched
by the curators with other applicants to produce a collaborative
work. Proposals for artist-led community engagement and
outreach activities to accompany the main exhibition are also
welcome.

Exhibition Dates: May 2010 – July 2010
Each exhibition runs for four weeks
Participation Requirements:
• Artists must be emerging, professional artist(s)
• Participating artists must be out of school or completing
studies by project dates
• Must be Ontario resident
• Proposals are for new works only
• Submissions should include the following:
• Artist(s) statement, CV and contact information
• 5-10 JPGs of past work with accompanying image list
• Images of proposed work (clearly labeled)
• Written description of proposed work (maximum 2 pages)
including technical requirements (if applicable).
*We ask at this time that artists submit only one work per
proposal.

Please send submissions electronically.

Deadline: March 25, 2010

Additional Information:
The Window Box is located outside Gallery 1313’s main
entrance in the
courtyard of 1313 Queen Street West in Toronto.
Approximate dimensions of the Window Box:
• 67 inches tall
• 25 inches wide
• 22 inches deep

For more information and to submit your proposal, please
contact:
Simone Rojas-Pick and Jessica Nagy at
intersectionsg1313 [arobas] gmail [point] com

To learn more about the Launch Pad Project, please visit:

Home

3. appels d’ailleurs

The 2nd Roma Pavilion Call the Witness
Open Call for Submisson/Collaboration

Deadlines:

15 March 2010, for artists/researchers
1 May 2010, for Media Archives

Address: callthewitness [arobas] gmail [point] com

The curatorial team of The 2nd Roma Pavilion – Call the Witness announces
its open call for artists, researchers and media archive.

This project that will be presented in Venice in 2011 is conceptualised and
curated by the interdisciplinary collaborative curatorial team: Suzana
Milevska, Vladan Jeremic, Rena Raedle and Enisa Eminovska.

The 2nd Roma Pavilion – Call the Witness is an interdisciplinary
collaboration that aims to fostering, producing and presenting contemporary
and new media art by Roma artists from different regions and cultures. In
the core of the project lies the concept of contemporary artist as an
instantaneous witness of his/her time who is not a passive viewer but
rather acts as an active participant in solidarity with the events and
people that provoked his/her art work. Such a phenomenon wherein art
becomes a potential agency for social makeover acquires a completely new
prospect in the period of digitalisation and globalisation and may largely
affect Roma communities.

We issue a “Call for Witnesses” to bring up testimonies and statements for
hearing from artists and researchers that will raise the awareness of
different situations of Roma communities in the world, reaching from
displacement and discrimination to successful emancipatory processes. The
question: who has the control over the means of representation and has the
power to promote the dominant cultural and moral values concerning
Roma/Gypsy communities provoked us to put emphasis on new media art as
available means for self-presentation and self-reflection.

We invite artists and researchers to submit proposals that address these
issues in a way that will allow a further collaborative development, both
content and media wise. The selected contributors will be invited to
present and discuss their proposals at a working meeting to take place in
Belgrade (April 2010) where we will discuss the possibilities of eventual
further productions of individual works or collaborative projects. The
conditions for production will be agreed for the most promising concepts to
be realised in 2010 and presented at the 2nd Roma Pavilion in Venice (2011).

The project 2nd Roma Pavilion – Call the Witness is organised by the Roma
Media Base – Skopje based organisation for archiving, producing and
presenting contemporary and new media art by Roma artists and communities,
and the Biro za kulturu i komunikaciju from Belgrade. The project is
supported by Open Society Institute and other organisations and sponsors.

The First Roma Pavilion took place in 2007 as a collateral exhibition at
the 52nd Venice Biennale and was initiated by Open Society Institute.

HOW TO APPLY?
1. Call for artists/researchers
Deadline: 15 March 2010

The applications should consist of:
– comprehensive narrative CV (up to 500 words),
– motivation letter and draft (up to 500 words) that will draw on your
interests and the main issues addressed in this project
– your e-mail/phone contacts
Optional:
– visual materials (screenshots, links to videos, pdfs, links to websites,
etc) from existing works or works in progress and proposals for new
researches, photographs, video, animation, performance, comic strips, sound
art and other new media projects.

Who can apply: all Roma artists and other emerging Roma professionals (art
researchers, theorists, curators, activists, etc.), working individually or
in groups in the fields of contemporary art and culture from any country
and region.

2. Call the Witness Media Archive
Deadline: 1 May 2010

We invite Roma cultural centers, archives, festivals and other
organisations and producers to submit existing new media productions (photo
archives, video research projects, etc.) to the Call the Witness Media
Archive that will be presented at the 2nd Roma Pavilion in Venice.

At this stage please submit only a description of the media production(s)
or the content of your archive, the address of your organisation and
samples (texts, images jpgs, links to video excerpts, existing online
archives, etc.)

•••••

Concours Francophone de Musique Rap

Organisé par l’ONCU & FEDURAP

Plus que 30 jours pour participer!

Dans le cadre des missions de l’Observatoire Nationale des Cultures Urbaines ayant pour objectif de promouvoir les Cultures Urbaines (Arts Urbains et Sports Urbains), il paraissait important et utile d’organiser une manifestation artistique pour répondre à des demandes, notamment des acteurs de la culture Hip Hop que nous représentons, recherchant la qualité artistique et de la mise en valeur de langue française à travers un festival international en phase avec son temps.

Le projet de créer une Académie Nationale des Cultures Urbaines associée à un musée vivant et à l’Ecole Nationale Supérieure des Cultures Urbaines, doit inclure un fond national artistique rassemblant l’ensemble des productions sonores et visuelles réalisées pendant plusieurs années. «FRANCORAP», premier festival francophone de musique Rap répond à la valorisation des Cultures Urbaines et ainsi apporter une visibilité pour mieux encourager les talents, aussi bien le travail amateur que professionnel. «FRANCORAP» se décompose en deux temps : son concours international et son festival francophone.

Le concours se déroule du 1er juin 2009 au 31 mars 2010 minuit. La session du jeu est accessible sur le site Internet de la fédération, à l’adresse : http://www.francorap.com. Un comité d’expert avisé de la culture RAP se réunira le 15 mai 2009 pour dresser une première sélection officielle. La cérémonie officielle sera organisée d’ici fin 2010. Les trois finalistes seront ainsi sélectionnés pour l’édition du festival de 2011.

Dossier à télécharger http://www.culturesurbaines.fr/pdf/francorap/francorap_concours10.pdf
Pré-Inscription en ligne http://www.francorap.com/candidature_internet
www.francorap.com

•••••

La Collection – Mois de la Photo
Dans le cadre du mois de la photo dont le thème est la Collection (de la MEP), nous souhaitons enrichir ce thème à travers le regard de jeunes artistes. Exposition collective nous cherchons 8 photographes…

Exposition :L’exposition aura lieu au cloitre ouvert www.lecloitreouvert.com<  Modalités :Les candidats doivent faire parvenir par courrier un dossier de candidature et un dossier complet (telechargez le dossier ci-dessous) :  A renvoyer : Le dossier de candidature complet devra être envoyé à l’adresse suivante Fetart – Laetitia Guillemin 39 rue de la Réunion 75020 PARIS / FRANCE   Date limite d’envoi des candidatures : 26 avril 2010 Un jury de professionnels se réunira vers le 5 Mai 2010 pour la sélection 2011. DOSSIER A TELECHARGER et à RENVOYER :  http://www.fetart.org/IMG/pdf/AC_Mphoto_2010.pdf  ••••• CALL FOR ENTRIES: ANATOMY IN THE GALLERY DEADLINE FOR SUBMISSIONS: APRIL 16, 2010 “Anatomy in the Gallery,” a rotating exhibition program at the International Museum of Surgical Science in Chicago, showcases medically inspired contemporary art within the unique context of the Museum’s exhibits and artifacts. “Anatomy in the Gallery” will be accepting proposals from artists and curators for its 2011 exhibition calendar until April 16, 2010. The medical and bodily theme is open to interpretation, but figure studies without any additional medical content do not qualify. For complete submission and exhibition details, please see www.imss.org/exhopp.htm. Contact info: Lindsey Thieman, Manager of Exhibits and Programs, International Museum of Surgical Science, 1524 N. Lake Shore Dr., Chicago, IL 60610-6684 312.642.6502 ext. 3113 | 312.642.9516 (fax) | Lindsey [arobas] imss [point] org For general Anatomy in the Gallery program information: www.imss.org/anatgallery.htm ••••• CALL FOR ENTRIES: HASSELBLAD 2010 MASTERS AWARDS DEADLINE FOR SUBMISSION: 31 DECEMBER 2010 Elibigility: Photographers must have been active professionals for more than 3 years Entry Fee: None Official Website: http://www.hasselblad.com/masters-2010-is-open.aspx Hasselblad invites photographers to submit photographs to be considered for the 10th annual Masters Awards. The 2010 competition will feature a new category to cover wildlife photography. Each year Hasselblad awards the title of Master photographers in a range of specially defined categories. Awards are granted in recognition of the photographer’s contribution to the art of photography and photographic ability in the areas of creativity, composition, conceptual strength, and technical skill. Photographers are invited to submit up to 5 images in each of the following eleven categories: architecture, editorial, fashion/beauty, fine art, general photography, nature/landscape, portrait, product, up-and-coming, wedding/social and, for the first time, wildlife. ••••• Wiels Programme de Résidences d’artistes Appel à candidatures  Session 5 (2011) :3 janvier – 31 décembre 2011 (candidats internationaux) 3 janvier – 30 juin 2011 / 1er juillet – 31 décembre (candidats nationaux) Date limite de remise des dossiers: 31 mai 2010  Le programme de résidences d’artistes de Wiels à Bruxelles se veut un laboratoire pour artistes émergents et prometteurs venus du monde entier. Wiels bénéficie en effet d’un contexte unique permettant aux artistes de poursuivre leur pratique et de s’engager dans les débats et recherches concernant la production artistique contemporaine. Le programme met à disposition des résidents des ateliers de travail individuels (+/- 45m2) et un programme de formation (en séances individuelles et collectives) pendant 1 an pour les résidents internationaux et 6 mois pour les résidents belges ou résidant en Belgique. Différents projets et expositions sont organisés durant chaque résidence.  Le programme de résidence s’inscrit dans l’ensemble des activités du Centre d’Art Contemporain Wiels, dont il forme une composante essentielle et complémentaire. Situé dans le bâtiment moderniste classé des anciennes brasseries Wielemans, Wiels développe trois pôles d’activités principales : exposition, résidence et programme socio-artistique. Eléments du programme de résidence 1. 9 ateliers de travail, accessibles 7j/7, 24h/24, meublés et disposant d’un accès Internet.  2. Aide technique et logistique pour la création et le développement de nouveaux projets. Des ressources techniques et/ou créatives extérieures peuvent être sollicitées en cas de besoin. Les opportunités de collaboration avec d’autres artistes/disciplines sont également nombreuses à Bruxelles.   3. Réunions hebdomadaires et évaluations régulières des projets avec les tuteurs du programme  4. Programme de visites d’ateliers  5. Programme de visites d’expositions/galeries en Belgique et dans les pays limitrophes.    6. Archivage en ligne des projets des résidents  sur le blog des résidences: http://residency.wiels.org/  7. Exposition & performance :  Wiels s’attache à exposer ou performer les projets créés par les résidents au cours de leur séjour. Les projets conçus pour être exposés sont développés en collaboration avec l’équipe curatoriale de Wiels. Les expositions prennent le plus souvent la forme de présentation solo dans les ateliers de travail ou le project space de Wiels. Des arrangements spéciaux peuvent être pris pour les travaux performatifs ou qui nécessitent des besoins techniques inhabituels. En outre, l’équipe technique de Wiels assiste les artistes dans l’installation et les aspects logistiques de l’exposition.   Coût Wiels prend en charge environ la moitié des coûts de chaque résidence, à savoir l’atelier et son équipement, le programme de formation, l’assistance technique et l’assistance curatoriale. L’artiste et/ou l’organisme sponsorisant doit prendre en charge l’autre moitié des coûts, soit le voyage, séjour et frais de logement de l’artiste. L’organisation sponsorisante est également responsable du visa ou autre permis dont les artistes étrangers pourraient avoir besoin pour résider en Belgique.   Wiels ne fournit donc PAS de logement. Néanmoins, le Centre s’efforce d’aider les candidats sélectionnés à faire des demandes de bourses pour financer leur résidence.   Eligibilité Wiels recherche des candidats qui désirent développer leur pratique artistique dans un contexte professionnel et créer de nouveaux projets en lien avec leurs recherches et expérimentations. Les candidats peuvent utiliser tous les médiums, mais doivent travailler depuis au moins trois ans et avoir un historique d’expositions. Les étudiants ne sont PAS éligibles.   Wiels accueille les artistes émergents, mais est également intéressé par le travail de personnes plus âgées qui réorientent leur carrière ou veulent développer un projet particulier. Tous les candidats doivent avoir un visa valide qui n’expire pas avant la fin de la résidence et avoir au moins 21 ans  Procédure de sélection  Un jury composé de l’équipe artistique de Wiels et des tuteurs des résidences sélectionne les candidats sur base de la qualité de leur travail et de leur potentiel à bénéficier au maximum du programme.     Les candidats sont notifiés des résultats du jury par email vers la mi-juillet.   Ne PAS téléphoner au bureau pour les résultats!  Procédure d’inscription  Date limite de remise des dossiers : 31 mai 2010 (le cachet de la poste faisant foi)   Les dossiers envoyés après cette date sont disqualifiés.   Adresse de correspondance : Wiels Programme de Résidences d’ArtistesAvenue Van Volxem 354 B-1190 Bruxelles Belgique Questions? –> residency [arobas] wiels [point] org

TELECHARGER LA PROCEDURE & LE FORMULAIRE  D’INSCRIPTION ICI-BAS

Formulaire :http://www.wiels.org/site2/dbfiles/mfile/1300/1386/Ad_hoc_form_FR.pdf?PHPSESSID=ca45f403000e4816c368597c4eddb77b

Procédure :http://www.wiels.org/site2/dbfiles/mfile/1300/1387/Proc_dure_de_candidature.pdf?PHPSESSID=ca45f403000e4816c368597c4eddb77b

Infos :
http://www.wiels.org/site2/page.php?node_id=58&PHPSESSID=ca45f403000e4816c368597c4eddb77b

•••••

CALL FOR ENTRIES: INT’L CERAMICS COMPETITION OF L’ALCORA, SPAIN

Posted: 01 Mar 2010 11:04 AM PST

DEADLINE FOR ENTRIES: APRIL 30, 2010

The Town Council of L’Alcora, announces its call for entries for the 30th edition of the International Ceramics Competition of L’Alcora 2010, organised by a Commission designated to that effect. All participants are entitled to present a maximum of two works of art created with ceramic materials, which must be original and unique. Entries created by non ceramic procedures, works of an industrial nature or those who have entered in another competitions will not be admitted.

Works must not exceed 2 metres long in any of their dimensions. Entries not measuring 30 cm long or wide will not be accepted. Entries must be sent to the Secretaría del Concurso (Museo de Cerámica, C/ Teixidors, 5 – E12110 L’Alcora · Spain) before April 30th, 2010.

All entries must include a properly completed application form, and the author or authors’ curriculum vitae. Registration will be able by e-mail museu [arobas] alcora [point] org, also attaching the curriculum vitae. A maximum of three images with neutral background (either printed or in jpg format -200 dpi minimum) must be attached to each work of art.

Finalist entries must be sent to the L’Alcora Ceramics Museum before June 18th, 2010. Those works who break this term will be excluded from the competition. Finalist entries will be exposed from July 15th until October 10th, 2010.

Rules of the Competition : http://www.revistaceramica.com/fotos/Bases_l%27Alcora_2010.pdf

•••••

Peut un OBJET FRAGILE, à l’époque des email, des chat et de la mobilité, voyager AUTOUR DU MONDE sans risques,

en passant de main en main, se chargeant ainsi d’histoires, de significations et de l’énergie des gens?

Comment va être-t-il quand il va revenir au point du départ?
F R A G I L E – global performance chain journey

Avec FRAGILE – global performance chain journey, des artistes venants de tout le monde travaillent ensemble à la même action, mais chacun de sa manière.

Petit à petit, tous vont amener un objet atour de la planète.

L’itinérair de l’objet va être communiqué à travers le website www.fragile-global-performance.net, le groupe en Facebook et la chaîne YouTube.

L’objet est de “constitution fragile”. Il va passer par une centaine de mains et de personnes, en se promenant ainsi partout dans cette “planète fragile”.

Seront nous capables à nous assumer la responsabilité de cet objet, pour le faire aller et revenir, changé, chargé et pourtant intact?

Nous sommes tous connectés au niveau mondiale. Est-ce que nous le sommes véritablement, ou juste virtuellement ou alors partiellement?

Connectons nous – allons y – que la performance commence – une fois atour du monde.

E n r e g i s t r e m e n t

Les participants à FRAGILE – global performance chain journey peuvent s’enregistrer en envoyant un email à info [arobas] fragile-global-performance [point] net , en indiquant:

Nom / Prénom

Rue, Ville, Code postal, Nation

Numéro de portable

Email

L’échéance est fixé au 31 Juillet 2010.

S’il vous plaît, nous vous prions de répandre l’invitation même à vos amis ou collègues, qui peuvent être intéressés à s’enregistrer et participer!

Plus d’artistes enregistrés, moins de voyage à faire pour chacun.

En nous soumettant ses données personnelles, chaque participant accepte à leur diffusion uniquement que pour la communication entre lui et les deux autres participants plus proches:

celui qui va passer l’objet et celui qui va lerécupérer après.

Après l’enregistrement

D’ici octobre, chacun participant va être renseigné sur l’itinéraire de l’objet, sur les deux artistes plus proche à lui et d’autres détails du projet FRAGILE.

Nous vous prions de bien vouloir lire les chapitres L’ACTION | L’ITINÉRAIRE | DÉTAILS dans le PDF en attaché ou sur www.fragile-global-performance.net, pour vérifier où vous pouvez rencontrer vos “voisins”

et comment transmettre la documentation du voyage!

http://www.fragile-global-performance.net

•••••

Fundada Artists Film Festival 2010

August 2010 // Square Chapel, Halifax, UK // FREE ENTRY

Fundada Artists’ Film Festival is a contemporary film and video event run by artists intending to showcase the best in contemporary screen-based art from across the globe. Fundada believes that art should be fun and inclusive yet conceptually strong and critically engaged. The film festival will be comprised of selected screen-based submissions from an international open call and curated by Alice Bradshaw and Nancy Porter; collaborating artists who previously co-directed and co-curated respectively at Temporary Art Space in Halifax in 2009. Fundada is an artist-run not-for-profit organisation.

FAFF2010 is part of Halifax Festival 2010: 14th – 22nd August 2010 http://www.halifaxfestival.co.uk/

Open Call for Submissions – Deadline: 31st May 2010

WHAT: Open call for screen-based art; film, video, animation. No thematic criteria. No limit on number of submissions per artist.

WHO: Anyone can submit to FAFF2010; all nationalities, all career levels including students

DURATION: no limit

FORMAT: Films should be supplied in digital format only: avi, mpg or mov
A film still (jpg at 300dpi) is also required.

LANGUAGE / SUBTITLES: Films with non-English dialogue do not have to have English subtitles but it is recommended.

COST: No submission or participation fee. Postage for postal submissions is payable by the applicant. Postal submission cannot be returned. Please note that only FAFF2010 is only able to notify successful applicants.

POSTAL SUBMISSIONS: DOWNLOAD FORM (PDF): http://bit.ly/FAFF2010

POSTAL ADDRESS: (Non-EU submissions: No commercial value, for cultural purposes)
FAFF2010, Halifax Festival 2010, Square Chapel, 10 Square Road, Halifax, HX1 1QG, UK

DEADLINE (Receiving date not postmark date): 31st May 2010

http://fundadaartistsfilmfestival.blogspot.com/

•••••

Polymer Artist in Residency Program, Estonia
POLYMER INTERNATIONAL ARTIST IN RESIDENCY PROGRAM
Culture Factory Polymer is now accepting proposals for it’s international artist in residency program. Artists (both groups and individuals) from any country and all artistic fields are welcome to apply for a residency at Polymer. Our interest lies in genre bending, cross-cultural exchange and interaction with the local artistic community through workshops and public dissemination. We seek artists with personal motivation to independently carry out artistic activity and engage with the cultural environment that Polymer and the city of Tallinn offer.
We are currently accepting proposals on rolling bases.
For more information on the program and application conditions: http://www.kultuuritehas.ee/residency/
Culture Factory Polymer is an independent multidisciplinary cultural center in Tallinn Estonia, that was established in 2004. It’s the main strong point for alternative un-institutionalized culture in Tallinn. Situated in a former toy factory, Polymer has evolved into a place for international artist residencies and the diffusion of ideas and energy. Within the walls of the building live together about 30 artists and organizations, working in diverse artistic fields. Constituted as a non profit organization, Polymer works as a platform and as a venue for different events and activities, offering a new space for alternative culture in Tallinn. Public events take place regularly, involving resident artists and guest artists, both Estonian and International.

•••••

Call for proposals – Wirksworth Festival 2010, UK
Wirksworth Festival 2010 
Deadline 22 March, 2010
Festival curator David Gilbert is calling for proposals for our commissioned programme for 2010 and beyond.
Thematically Wirksworth Festival will continue to explore the relationship between Art & Architecture, and over the next three years we want to explore the nature, meanings and uses (past, present, actual and potential) of buildings | indoor and outdoor space | public and private space in a number of ways:
1. Pavilion Programme. A call to architects and designers interested in proposing a temporary structure (a Pavilion) for Wirksworth.
2. [Im]Possible Wirksworth: An inventory of unrealised ideas. The Pavilion will contain concept designs, fly-through graphics, maquettes etc, from architects, designers, artists, proposing exciting and radical new buildings, remodelling of existing buildings, uses of unusual and problematic sites, etc…
Some of these projects may be realised as part of the commissioned programme.
3. Site-specific/Site-responsive commissions. This will be complemented by extending the site-specific and site-responsive art commissioning programme, so we are now seeking proposals for interventions in spaces in the town, whether sculptural, architectural, projected (including film, interactive work and 3D motion graphics) or performative.
4. Film and Moving Image. A new strand to the Festival is film/artists’ film and video, with an architecture themed short film salon for 2010, and the potential for projection works which interact with, intervene in or respond to architecture.
http://www.wirksworthfestival.co.uk/home/trails/proposals-2010/
Wirksworth Festival 
39 St Johns St, Wirksworth 
Derbyshire, DE4 4DS
http://www.wirksworthfestival.co.uk/

•••••

Aesthetica Short Film Competition

The Aesthetica Short Film Competition has just been launched! Leading the search for filmmakers who are driving the genre of short film forward through inspirational and innovative works the competition provides an opportunity for both new and experienced filmmakers to have their work broadcast to a wider audience.  All genres of film are being accepted: drama, documentary, music video, animation, satire, comedy, artists’ film and anything else you can think of!

This award offers winners and runners-up a fantastic prize package, including:
* Screenings of your film at: The National Media Museum (Bradford), Rushes Soho Shorts Film Festival (London), Glasgow Film Festival, Kerry Film Festival (Ireland), Project Space Leeds and on the Aesthetica website.
* £500 first prize, £250 runner-up.
* 12 months membership with Shooting People.

* Collection of film books from Wallflower Press.
* Winner and 10 runners-up to be included on a DVD that will go to all Aesthetica readers.

Films should be up to 20 minutes long.

For detailed guidelines and entry visit http://www.aestheticamagazine.com/film_submissions.htm

Deadline: 30 April 2010
Bryony Byrne, Marketing Officer, Aesthetica Magazine, PO Box 371
York, YO23 1WL

bryony [arobas] aestheticamagazine [point] com

www.aestheticamagazine.com

•••••

ARTIST RESIDENCY: TAKT KUNSTPROJEKTRAUM, BERLIN

DEADLINE: ONGOING
Disciplines: Literature, Media Art, Music, Performing Arts, Sculpture, Visual Arts
Target Group: International

Takt offers 10 rooms to active artists visiting Berlin. The residency arised from the takt kunstprojektraum project, a non-profit, artist-run effort, founded in 2003. The main goal of the residency program is to provide artists visiting Berlin quick access to an environment that will foster their creative energies. Participating artists are invited and expected to explore their creative paths. The artists participating in the program have the opportunity to participate in open studio events. The residency has a strong element of community living. It merges a community living environment with creative artistic exploration. The rooms are all on the same floor, on either side of an L-shaped hallway. There are two kitchens and two bathrooms, which are shared by all those in the space. A series of meetings is organized each month, where people can present their work and exchange ideas. The goals are to create a platform for dynamic exchange, to allow the possibility for spontaneous collaborations, and to build up networks among artists.

There is no stipend or living allowance associated with a studio residency. Artists will need to consider other sources of income to fund their visit. The cost for participating in the residency program varies depending on the size of the room and other conditions of the space.

The rooms are located in the East-Berlin neighborhood of Friedrichshain. The neighborhood offers many café’s, restaurants, bars and shops. There is easy access to public transportation, and one can quickly get to other parts of the city. There are many artists living in the neighborhood and most people speak English as well as German.

Application address:
Grunbergerstrasse 1, 10245 Berlin Germany
Telephone 00491621560185 | E-mail taktberlin [arobas] gmail [point] com
www.taktberlin.org

•••••

Call for entries
Deadline: 15 April 2010
SITE Santa Fe
is seeking silent, single-channel videos with a duration of eight minutes or less from professional artists to be presented on opening night of “The Dissolve” SITE’s Eighth International Biennial.
http://www.sitesantafe.org
The Biennial, organized by Sarah Lewis and Daniel Belasco, explores the paradigm shift within the realm of contemporary art making in which traditional visual arts (such as sculpture, drawing, painting) mingle with up-to-the-minute technology, creating a hybrid practice where the homespun meets the high-tech.
For one night only, Friday, June 18, 2010 – the selected videos will be projected onto building facades throughout SITE’s Railyard district during the gala dinner and after party.
Submission deadline: April 15, 2010
Notification of acceptance will be made by email on May 17, 2010.
Eligibility: This call for entries is open to all professional artists. Submissions must be provided in DVD format. Please label all works with title, artist names and duration. Artist contact information including email address must be provided.
Mail or deliver submissions to:
SITE Santa Fe
Attention: One Night Stand
1606 Paseo de Peralta
Santa Fe, NM 87501
http://www.sitesantafe.org
Submissions will only be returned if a SASE is included.

4. divers

lettre ouverte à Marc Mayer, directeur du Musée des Beaux-Arts du Canada

http://excellenceatthenationalgallery.blogspot.com